In today’s New York Times Arts section, Michael Cieply discusses the formation and success of Blue-Tongue Films, a “loose-jointed Australian moviemaking collective.” While their ideals and means of convergence differ slightly from Mutually Made, their collective model is something that we both admire and consider to be the backbone of our own movement:
Blue-Tongue Films is unusual in that it has a name…but is not really a company, with shared profits, nor a true cinematic movement, like Dogme 95 in Denmark. Rather it is an agglomeration of filmmakers who helped one another into the business and have simply stuck together in jobs that vary from film to film.
You can read the full article here
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